Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

When the contestants at a way-cool snowboarding contest are suspiciously sidelined, Scooby-Doo and the kids investigate - and discover the chilling fact that There's No Creature Like Snow Creature! Then, there's dino-sized mystery afoot in Costa Rica when a fearsome Giganotosaurus jumps off a movie screen and goes on a rampage of 3-D Struction! Next, in Space Ape at the Cape the gang tangles with an extra-scary extraterrestrial who's monkeying around with an important rocket launch. And there's a Big Scare in the Big Easy when the Mystery Inc. crew unearths spooky doings at a haunted New Orleans cemetery!

Sexy couple Zack and Benji decide to have an “open” weekend to partake in the smorgasbord of available men on their vacation to a gay getaway in Palm Springs. When Zack runs into his ex-boyfriend Casey at the resort, they both do their best to look like they are having a good time. How could they not, when they are surrounded by cute, frisky guys with six-packs and very little clothing?

A portrait of teen escort, 'Coco'.

my colllection

"Jornada" is a visual time line of one spot somewhere in the American southwest. Natural and human-made cycles of birth and death are played out amidst a desert landscape.

A local council worker inspects three homes.

Mônica tenta dar um banho no Monicão que foge para o cinema. Lá a turminha aproveita para ver uma série de aventuras com seus bichinhos de estimação, enquanto procura pelo Monicão.

Georges Hatot and Gaston Bretaeau with Henri Vallouy, a Gaumont employee, acting as cinematographer. Breteau himself seems to have taken the main role in most of the films and here plays the woman in drag who is terrorized by the X-ray camera at a customs checkpoint while trying to smuggle contraband through.

The comedian and best selling author of "Cancer on $5 a Day...How Humor Got Me Through the Toughest Journey of My Life," has plenty to say on everything from raising a 17 year old daughter, bargaining with the Almighty, and how not to make friends with a dolphin.

Living with Giants delves into the imaginative world of Paulusie Kasudluak, a young Inuk facing responsibilities as he transitions into adulthood. The film portrays his thoughts, his dreams, and his beliefs, and allows for an intimate immersion into his life. Paulusie is a caring son to his ailing father and a good boyfriend. But what begins as the story of an innocent teenager quickly becomes the struggle of a young man coping with the guilt of having made a huge mistake. Tragically, Paulusie takes the most dramatic decision and takes his own life. Living with Giants remains a poetic journey of resilience that echoes issues that are far greater than Paulusie's personal story.

A bunch of restless teenagers are constantly trying to find ways to break free from poverty. All day they hang around discos and cafeterias and talking about motorcycles, women, society, etc. Only a few of them have jobs while some others are students. One day they decide to rob a wealthy man since this seems to be their last chance to get their hands on a decent amount of cash. Everything goes fine until they come across another bunch of punks and start fightibg in the streets. All of them get busted and that's when the nightmare starts... They are taken to the prison of Korydalos where they are constantly beaten and tortured by a sadistic warden who calls himself "God" (played by the ultimate god, Nikos Tsachiridis who seems to enjoy this kind of role...). The film goes on showing the filth that they face.

The mystery behind the man who died at Altamont.

David Storey's adaptation of his award winning play for the BBC's Play for Today series.

One stormy winter night, soaking wet 20 year old Ilias arrives uninvited at Petros’ house. Ilias’ erratic behaviour causes much concern to Petros. He vaguely remembers meeting Ilias one night some years ago, in a gay bar. As the night goes on, unsettling truths come to the fore, and as much as Petros would like to be rid of his guest, some truths will stay with you forever.

Barbara is a filmmaker who has been working in the prison environment for a few years now. She is preparing a film written and directed by long-term inmates in a prison in the projects around Paris. Twice a week, Barbara goes to the prison where she shoots interviews with the inmates which will serve as a basis for the writing of their screenplay.

"My MFA thesis work Grace, was in part conceptually inspired by the French philosopher Henri Bergson’s theories of Time as fractionate and infinitesimal. The structural concerns of Grace were pursuing questions of fractured, invisible time and representations of form and motion. The deeper and more personal subject pursued issues of flesh, mortality, and sexuality. Visual inspirations included artists such as photographers Julia Margaret Cameron, Joel Peter Witkin, and artist Joseph Beuys. I worked with an actress, optical printing, projection, under-the-camera, and stop-motion animation."-Lorelei Pepi