A portrait of teen escort, 'Coco'.

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

Um novo sistema de ensino chega ao salão e os rapazes odeiam e tentam se livrar dele em segredo. Os planos de Bruno nunca acontecem do jeito que planejaram, então adivinhe quem tinha outro plano. O sistema só possui dois dígitos, então, quando você alcança uma certa quantia. Os meninos não conseguem descobrir isso até mais tarde no filme, mas Bruno descobre o que acontece.

Selkirk, an unruly, selfish pirate, is the sailing master of the Esperanza, an English galley sailing the South Seas in search of treasures. When Captain Bullock decides to abandon him on an uninhabited island, he discovers a new outlook on the world and learns to survive alone, becoming the real Robinson Crusoe.

"A musical film of the totalitarian era" is the the second title of the film. The film is based on a legendary school film of Tomáš Vorel, called INg (1985).The story line stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.

Yu began to worry about his ex girlfriend and hesitated to make a decision on an abortion or allowing a birth of their baby. This also sparks a conflict accidentally with his present lover.

Paris By Night 87: PBN Talent Show - Finals is a Paris By Night program produced by Thuy Nga that was filmed at the Knott's Berry Farm in Buena Park, California on February 10th, 2007. This is the first Paris By Night's Talent Show. This Talent Show consists of Paris By Night 86 - Semifinal and Paris by Night 87 - Final. After the Semi-Final, there are 7 remaining contestants in the final.

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

In this short exploration of sensual audio-visual stimulation, the repeated rituals of an online performer have a transfixing effect on her viewers. What starts as an exploration of tactility, addiction and control soon descends into a nightmarish dance performance where no rules apply.

The fourth installment of the 'Fantastic Beasts and Where to Find Them' series which follows the adventures of Newt Scamander.

Jayakrishna is a dark-skinned guy who falls head over heels on Deepu but keeps his feelings to himself. As time passes by, a gang in his college beats him up and this issue brings Deepu closer to him. Slowly the friendship turns into love and this does not go well with Deepu’s brother Rama Raju. The rest of the story is as to how the couple reunites after facing several problems.

A single mother and a football player from the countryside find themselves fighting over the same apartment after its deceitful owner gave them duplicate contracts.

Buppha is reincarnated as a young girl who is deserted by her mother to the stepfather barber. With anger, he often beats her. She turns to be a problem child who also does not get along with classmates.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

Selvam, the new vice principal of a college, tries to transform the behaviour of troublemaking students while fighting an inner war.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times