Tunisia, summer 2011. The holiday to the South of the country ends in disaster for Fares, Meriem and their 10-year-old son Aziz, when he is accidentally shot in an ambush. His injury will change their lives: Aziz needs a liver transplant, which leads to discovery of a long-buried secret. Will Aziz and the relationship survive?

A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing it, she starts a people's movement, and leads a march to the capital. She returns to her village a winner, an honourable MP. Yet, she is still the same simple, fiery woman, able to get in a hair-pulling brawl with the local barmaid for the affection of her man.

Cristina Comencini defines the film as a "thriller of the soul." It's the story of a woman who returns to Italy from the US to attend the funeral of her late father, an American admiral living in Naples. Here she meets a man who seems to know too many things about her.

An 11-year-old boy and his neo-Nazi dad struggle with being outcasts in their suburban town.

In three vignettes, two exes, a tour guide and a married couple struggle to overcome a series of misadventures during their vacations.

In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

Nunca é tarde para mudar sua vida. Dois aposentados, o Professor, que ensinou latim toda a sua vida, e Giorgetto, um morador de Roma que recebe uma pensão de pobreza, dizem a si mesmos que em outro lugar, em outro país, a grama será mais verde e seu poder de compra mais substancial. A eles se juntam em seu projeto de partida Attilio, boêmio, vendedor de antiguidades e fofoqueiro. Mudar para onde? Esta é a primeira pergunta, e talvez já seja demais. De alguma forma, o trio está organizado. Você tem que dizer adeus, retirar suas economias, etc. Mas a parte mais difícil em ir embora ainda é partir.

Approaching age 50, singer/songwriter Nico leads a solitary existence, far from her days as a Warhol superstar and celebrated vocalist for the Velvet Underground in the 1960s. Her life and career on the fringes, Nico's new manager convinces her to hit the road again and tour in Europe to promote her latest album. She longs to rebuild a relationship with her son, whose custody she lost long ago.

It is 1945. Enrico Piaggio’s Pontedera factory is in ruins and the 12,000 people who worked there are condemned to unemployment and misery. Piaggio feels the enormous responsibility resting on his shoulders: the lives of so many families depend on his ability to create new jobs. A project is born in the mind of the entrepreneur: a small, robust, agile and affordable means of transport, capable of relaunching mobility, giving impetus to the recovery of the country’s economic and civil life. To make this dream come true, Piaggio turns to engineer Corradino D’Ascanio, a brilliant designer who uses the experience gained in the field of aeronautics to create the scooter that remains today the symbol of Italian creativity and design: the Vespa!

An adventurous love story between two young women of different social and economic backgrounds who find themselves going through all the typical struggles of a new romance.

Londres, 1966. Um guitarrista pouco conhecido, chamado James Marshall ‘Jimi’ Hendrix, muda-se para a Inglaterra, onde começa a descobrir e refinar seu imenso talento e vai lidando com os complexos relacionamentos que forma a caminho do estrelato. Amplamente reconhecido como um dos mais criativos e influentes músicos do século 20, Hendrix foi pioneiro em explorar as possibilidades da guitarra elétrica, com seu modo de criar uma nova forma musical. Jimi – Tudo está a meu favor é escrito e dirigido por John Ridley, o produtor de 12 Anos de Escravidão, ganhador* do Oscar® e apresenta a aclamada interpretação de André Benjamin, como Jimi Hendrix.

In her public persona, Eleanor “Tussy” Marx was a translator, actress, a children’s rights activist and a persuasive labour organizer, a tireless powerhouse determined to carry on her father’s work. She held her own with twentieth century gods, including both her father and his colleague Engels. In her privately life, however, she was vulnerable and her attraction to the self-indulgent and self-important Edward Aveling led her into misery and ultimately proved fatal.

Fahim Mohammad, a Bangladeshi immigrant, becomes a world junior chess champion in France.

Quando o viúvo Shuhei Hirayama, um militar que lutou na Segunda Guerra Mundial como fuzileiro naval, encontra o seu velho professor, fica a saber que a filha do professor não se casou para cuidar dele. Com medo que Michiko de 24 anos, acabe na mesma situação, Shuhei procurar um partido para a sua filha. Também preocupado com a possibilidade da moça manter-se solteira para não abandonar o pai, uma das irmãs do Shuhei sugere que ele se case novamente, para que a filha pense no seu próprio casamento.

This is the story of two completely opposite households: the Pavone are intellectual and bourgeois, the Vismara are proletarian and fascists. They are two tribes sharing the same jungle: Rome. A trivial accident brings these two poles together. The madness of a 25-year old youth will set them on a collision course, discovering the cards to reveal that everyone has a secret. People are never what they seem – but we are all predators in the end.

Hildy Johnson é o repórter TOP em um jornal de Chicago durante a década de 1920. Cansado de toda a confusão da profissão ele está determinado a deixar o emprego para se casar. Mas seu intriguento editor, Walter Burns, tem outros planos. É o dia anterior do culpado (mas insano) assassino, Earl Williams, ser levado para a forca e Burns tenta fazer Johnson ficar e escrever sua última história.

Após 20 anos de casamento, Maria decide ir embora e muda-se para o quarto 212 do hotel em frente à sua casa. Daí consegue escrutinar o seu apartamento, o seu marido, o seu casamento, e questiona-se se terá tomado a decisão certa.

Umberto, Lucia and Corrado discover that their co-worker and friend Umberto is terminally ill, but they can't bring themselves to tell him. They decide instead to organize him an unforgettable holiday trip to the South.