Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.

Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.

Two languorous summer days, two thorny tales of romantic misunderstanding: in part one, two girlfriends head to the Cergy leisure park for a day of swimming and equally vigorous flirtation; in the second, a Norwegian exchange student finds herself the target of unwanted attention from two would-be suitors.

A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the "model ghetto", designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn't even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann's new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the "Final Solution" like never before.

The story of an introverted young girl just reaching adulthood who takes a liking to an older woman she meets at a party and determines to match her off with her father, despite the latter's already having a lover of his own.

Cornelia tem 60 anos e, essencialmente, é infeliz: o filho, Barbu, de 34 anos, luta com todas as suas forças para se tornar independente. Saiu de casa, tem carro próprio, uma namorada que, obviamente, Cornelia não aprova e – o que é mais perturbador – evita a mãe tanto quanto possível.

Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk fixates on a TV news reader while he builds a machine to massage and masturbate him. One of his customers makes an elaborate chicken costume for a voodoo-like scene with a doll resembling his plump neighbor. She, in turn, has a doll that resembles him, which she whips and dominates in an abandoned church. The TV news reader has her own fantasy involving carp. Her husband, who is indifferent to her, steals materials to fashion elaborate artifacts that he rubs, scrapes and rolls across his body.

Three stories of love and coincidence around the theme of dates in Paris.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

In the 1980s, Andrew McCarthy was part of a young generation of actors who were set to take over Hollywood after a string of successful teen movies. However, when the New York magazine cover story in 1985 dubs them the Brat Pack, stars in the making suddenly find themselves losing control over the trajectory of their careers. Now, almost forty years later, McCarthy looks to reconnect with peers and co-stars so that together they can reflect on their respective legacies.

Chantal Akerman compõe uma bela amálgama da correspondência com a sua mãe e imagens da vida quotidiana em Nova Iorque, captadas através do seu olhar singular.

O Verão começa, Delphine tinha planeado ir de férias com uma amiga, mas esta descompromete-se do combinado no último momento. Delphine encontra-se só bastante deprimida. É convidada por uns amigos para ir à Normandia e às montanhas, mas interrompe rapidamente a estadia. Acaba em Biarritz, em errâncias amorosas de encontros fortuitos, sem compromisso ou ligações. Até que, um dia, ouve casualmente uma conversa na qual descobre o famoso Raio Verde de que fala Júlio Verne.

The socialist mayor of a small village in France dreams of building an arts center but he runs up against some opposition.

Paris. Um jovem estudante sente-se atraído por uma garota que vê todos os dias na rua, apesar de jamais ter falado com ela. Quando ele enfim toma coragem de se aproximar, a garota desaparece. Durante várias manhãs ele faz plantão no local, na esperança de vê-la novamente. Enquanto espera ele passa a frequentar uma padaria, onde acaba conhecendo uma jovem atendente.

Durante uma viagem de negócios do marido, Gamhee encontra três amigas. Visita as duas primeiras nas suas casas e a terceira encontra-a por acaso num cinema. Enquanto conversam amigavelmente, como sempre, várias correntes fluem acima e abaixo da superfície do mar.

Tendo como pano de fundo a complicada situação política da Macedônia, três histórias misturam-se, criando um perfil da Europa moderna.

François, a miserable football player, becomes a town hero after bringing victory in an extremely important game. He uses his fame for revenge on the team star for the previous mockeries.

François ama Anne. No entanto, o seu trabalho no turno da noite num posto de correios, significa que raramente passam muito tempo juntos. Um dia, François vê-a sair de casa com o seu ex, Christian, que ao que parece, tinha acabado com ela para sempre. Obcecado com a ideia que ela o pode ter enganado, François decide ficar acordado toda a noite. Enquanto François divaga, desolado, pelas ruas de Paris, encontra o seu rival sentado num café com outra mulher. Intrigado, vai atrás deles. Lucie, uma jovem estudante, percebe o que ele anda a fazer e aborda-o no beco de Buttes-Chaumont. Juntos, seguem o casal, como se de dois detectives se tratassem.

Um grupo de vendedores de automóveis autônomos, liderados por Don Ready (Jeremy Piven), especialista em vendas rápidas, com esquemas muito loucos, tem a missão de vender todos os carros de uma loja com problemas financeiros. Para isso terão que treinar a equipe incompetente da loja e enfrentar a concorrência desleal de outra revendedora.