An old Finnish athlete travels alone through eastern Europe with his van.

Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

An ambitious soccer referee ends up handling a crucial match between two small Sardinian teams

Sexy couple Zack and Benji decide to have an “open” weekend to partake in the smorgasbord of available men on their vacation to a gay getaway in Palm Springs. When Zack runs into his ex-boyfriend Casey at the resort, they both do their best to look like they are having a good time. How could they not, when they are surrounded by cute, frisky guys with six-packs and very little clothing?

Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.

In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.

No filme seguimos um jovem policial, Vincent, que possui um dom, mas que é incompreendido pelos seus colegas. Quando ele cruza o seu destino com o de Milo Cardena, um policial problemático, as consequências serão dramáticas, entrando a dupla numa espiral de violência onde as inúmeras rivalidades entre agentes serão colocadas a prova. Será o jovem ‘Flic’ capaz de ingressar no seu lado negro para sobreviver?

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

Em "John Doe: Vigilante" um homem comum combate a violência com única maneira que sabe, matando um criminoso por vez. Herói ou vilão? Justiça ou vingança? Você decide.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

ACT Up's closing down of the FDA in October 1988 is dramatically recorded by Ellen Spiro.

Nesta divertida aventura tragicômica, Rinko Kikuchi, indicada ao Oscar, é Kumiko, uma secretária frustrada que abandona sua vida em Tóquio em busca de um tesouro escondido nos confins gelados da América.

A small-town shoemaker with a knack for spinning yarns, Hans encounters happiness and heartbreak on his road to becoming a full-fledged writer.

Super High Me (trocadilho com o título do filme Super Size Me e high, "chapado" em inglês) é uma comédia apresentada em forma de documentário pelo comediante americano Doug Benson, que pretende mostrar no seu filme os efeitos causados pelo uso da maconha durante 30 dias, o dia todo, numa analogia ao filme lançado pelo também americano Morgan Spurlock, Super Size Me, onde Spurlock se propõe a apresentar os malefícios da rede de fast-food McDonald's, passando 30 dias apenas se alimentando apenas de produtos do estabelecimento.

Two couples, Pierre and Aimée, Éric and Pénélope, all share four years of friendship without cloud. Only concern, Penelope and Pierre have become lovers ... The situation becoming untenable, they decide to break. But after a final night of passionate love, fate plays a trick on them: Peter and Penelope each wake up in the body of the other! To protect their secrecy, they each find themselves having to live the life of the other. This is the beginning of the complications ...

A vida de um casal de classe média alta é arruinada com o sequestro e assassinato de seu único filho. Obcecados por vingança, os dois planejam um caminho de fazer justiça, já que a lei não o fez.

Steve acabou de fazer de "chef" numa série televisiva norte-americana. De forma a promover o programa, são-lhe encomendadas várias críticas gastronómicas em Espanha. Para o acompanhar, volta a desafiar Rob, com quem fez uma viagem idêntica a Itália, em 2014. Desta vez, aliando o prazer da gastronomia ao da companhia um do outro, os dois amigos seguirão um percurso que Steve fez nos tempos de juventude.

A small town in Spain, October 1955. Isabel, a 35-year-old dreamer who feels like a failure because she is not married yet, becomes the new target of a group of soulless pranksters.

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.