In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.

For Kevin, a shy teenager, being bullied is part of everyday life. But one day an older guy, Benny, comes to his aid. Impressed by Benny's self-as-sured appearance, Kevin seeks his company from then on, and increasingly idolizes him. But Benny's intention is not to protect the younger boy, quite the contrary.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.

Every super hero has his nemesis - and this time Flash has that murderous mischief maker the Trickster

Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

Já se passaram cinco anos desde que o surto de ameaça zumbi foi supostamente contido. Mas os corajosos homens e mulheres da Divisão-R, uma organização para destruir os mortos-vivos, começam a ver sinais de um segundo surto que acabaria com a humanidade de uma vez por todas. Uma operação contra os mortos-vivos foi gravada por um jornalista.

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

Several characters coincide during the Christmas holidays in the winter season of Saint Moritz.

Depois de herdar a casa funerária da família, um agente funerário com medo de fogo expõe centenas de corpos não cremados a uma substância tóxica, transformando-os em mortos vivos.

A mentally-afflicted young man is accused of murdering his longtime benefactor. The real truth of what happened lies in his mad obsession with his supposed victim's old typewriter, on which he types relentlessly, day and night.

Nove seres humanos normais de diferentes partes do mundo são sequestrados e transformados em ciborgues com poderes surpreendentes, criados com o propósito de serem usados como armas. Os nove ciborgues rebeldes começam a lutar contra os seus criadores, em nome da justiça e da paz no mundo. Décadas mais tarde, os nove ciborgues aparecem sem alterações pelo tempo, mas eles vivem em um mundo onde a “justiça” tem tantas nuances quanto o número de pessoas que vivem no planeta. Qual será o lugar deles no mundo agora?

O obcecado Dr. Herbert West, cumpre pena de 14 anos devido massacre causado na Universidade de Miskatonic, por experiencias de reanimação de organismos mortos. Na prisão, longe de reabilitar-se e de se arrepender de sua persistência cientifica de vencer a morte, ele segue seu trabalho de uma forma precária. Seu laboratório está localizado em cima de sua cama e suas cobaias são ratos e baratas. A chegada de um jovem médico na prisão, o Dr. Howard muda drasticamente esta situação. Por trás de sua fachada inocente e alegre, Howard esconde seu verdadeiro motivo de estar nesta prisão.

We must protect this house.