The suburban peace of the Bentley household is shattered when John Bentley is informed by his wife Stella that their two married daughters, Pat and Corrine are in trouble and need funds to come home and bring their husbands, Peter, a penniless Parisian artist and Barnaby, a Texas cowboy, with them. And the youngest daughter, Gwen, has tricked an American singer, Bobby Denver, into visiting them on the pretext that it is the home of a noted British film magnate. When all the women in the household --- including the maid --- fall for the singer's charms, Bentley consults a crackpot psychiatrist, Dr. Schneider, who almost succeeds in ousting, not the singer, but Bentley's wife, with his advice to Bentley to make her jealous by living it up with Pearl, a showgirl recruited for the purpose.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

A short film coinciding with the release of the album "Few Good Things" by Chicago artist Saba.

In a surreal, parallel universe, Thessaloniki has its very own superhero: Super Demetrios. Posing as Dimitris Christoforidis, journalist for the Golden Jerusalem magazine, he fights for truth, justice and the Greco-Christian ideal. In the dark of the night, the city's worst nightmare returns. Captain F.ROM is back, determined to meet his long-awaited goal: claiming his true name. A name he's entitled to. A name that becomes him. The two protagonists are drawn into a conflict that toys with the viewer's patience until the very climax of the film, in an archetypal battle between good and evil.

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt

A widower with four grown daughters remarries and brings his new wife home to meet them. The girls set out to make life as difficult as possible for their new mother.

Forced to take shelter, a father and daughter break into a farmhouse concealing a twisted monster. Set in the 1970s, Infracktion follows two drifters – Laura and her father, John. Trekking across the moorland late into the night, the two seek shelter in a seemingly abandoned farm house. In the gloom of the house, a twisted horror stirs.

The film studies the history of, and people who made, Extreme Championship Wrestling a cult sensation in the 1990s. Its an intimate look at the subculture of a subculture, and the athletes who were willing to take massive amounts of punishment for little money based on the promise of something more within their industry. This is a film about culture and human beings - who just happen to use tables and chairs and violent acts as part of their performance art. This documentary is not owned or supported by the WWE.

The young law student David is involved in a series of small crimes that led him to discover the corpse of the husband of his French friend Lucile in the trunk of the car in which he runs away to France, which makes her join him of his trip. Film with a clear influence of the Nouvelle Vague

While away at college, Autumn becomes associated with a Coven of witches. After being visited by her dead grandmother from the spirit world, Autumn realizes that she must use her magical powers for good rather than evil. She battles for control of her Coven with the evil raven-haired Vallie. Vallie threatens to sacrifice Autumn's boyfriend Gabe. Autumn must fight to save him, and the fate of her Coven.

Naan Avanillai 2 (English: I am Not Him) is a 2009 Tamil romantic mystery film directed by Selva. It is the sequel to the Naan Avanillai (2007). Jeevan reprises the lead role, while the female roles are enacted by Sangeetha, Lakshmi Rai, Shweta Menon and Sruthi Prakash and Rachana Maurya. D. Imman, who did the film score for the first part of the film, replaced Vijay Antony as the music director. The film was released on 27 November 2009 to extremely negative reviews

Amhi Satpute is a 2008 Marathi remake of the Hindi action comedy film Satte Pe Satta. It was made by Sachin Pilgaonkar who also appears in it, alongside other primary cast including Ashok Saraf, Supriya Pilgaonkar, Swapnil Joshi, Atul Parchure and Nirmiti Sawant.

Before the breakout of the Sino-Japanese War, Hong, Wang, and Peng were best friends. Hong and Wang secretly joined the local guerrillas after the Japanese began invading China. Hong ran a small business and Wang worked as a courier for a Japanese trading firm, hiding their true identities in order to collect intelligence on the Japanese for the Eight Route Army, and established a railway guerrilla unit. Wang soon found out that the trading firm he was working for was indeed an intelligence unit of the Japanese. They infiltrated the Japanese special forces and eliminated many Japanese. Suspicions arise from the Japanese as to the real identity of the individuals suspected of being part of the railway guerrilla forces, so called Flying Tigers unit, so the Japanese began to form a counter-spying operation and other under-handed means by recruiting Chinese traitors to uncover and eliminate them all.

Fourteen-year-old Emma goes to a party with friends of her brother's and ends up passed out on a bed with an older boy who takes advantage of the situation. Later her brother Markus senses that something is wrong, but Emma keeps her thoughts to herself. She has trouble dealing with her own emotions. But then she meets Aron, an easy-going guy who spends his days on a skateboard.

An investigative reporter travels to a small European country with the hope of exposing its dictator's family secrets.

As the summer of 1980 ends, 16 and 17 year old sisters Maria and Alda flee to Lisbon from Angola?s civil war. In the hands of fate, they must learn to live without money in a foreign city. On the edge of the law, the two have to grow up and become women. When the problems are already overwhelming, news comes that makes them unbearable. This blow, however, will give them the push to decide their futures: Alda is going to France and Maria back to Angola in search of her roots.