People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

After the events of the first movie, the "immatures" go on a trip to the Greek island of Paros.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

Once again billed as Montgomery Wood, Giuliano Gemma plays a civil war soldier who returns to his family land to find his family decimated, his property taken over by a family of Mexican bandits and his fiancee about to marry the Mexican gangster behind all this. Bent on revenge, he goes undercover disguised as a Mexican and discovers he has a daughter!

The powerful evil wizard Tarabas gets knowledge about a prophecy that a king's child will defeat him. So he sends out his army of dead soldiers to kidnap all royal children. When the soldiers attack Fantaghiro's castle to steal the babies of her sisters, the battle seems to be lost until she discovers the secret to defeat the solders but by doing that she loses Romualdo. Now Fantaghiro must find the evil wizard Tarabas and convince him to break the spell and bring back Romualdo.

Enquanto o Overfiend dorme, o louco imperador César sobe ao poder, escravizando uma nova raça de bestas demoníacas. Nesta existência cruel nasce o Senhor do Caos, o inimigo do Overfiend. Enquanto as feras sedentas de sangue capturam a filha do tirano num golpe brutal, o Overfiend deve despertar para uma batalha apocalíptica dos Deuses.

TV Special converting a Disney fan's house into their dream home.

During the holidays of Christmas, three groups of funny characters depart from Italy to spend the Christmas season in New York City.

Claiming that he doesn't know his own past, a rich man enlists an ex-con with an odd bit of detective work. Gregory Arkadin says he can't remember anything before the late 1920s, and convict Guy Van Stratten is happy to take the job of exploring his new acquaintance's life story. Guy's research turns up stunning details about his employer's past, and as his work seems linked to untimely deaths, the mystery surrounding Mr. Arkadin deepens.

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

Em Casablanca, no pós-guerra, Ronald Kornblow é contratado para gerir um hotel cujos anteriores gerentes acabaram assassinados. O soldado francês Pierre suspeita de envolvimento de ex-nazis, especialmente do Conde Pfefferman, que na verdade é o mal-afamado Heinrich Stubel. Mas o próprio Pierre é acusado de cooperar com o inimigo e tenta limpar seu nome com a ajuda de sua namorada e seu cauteloso amigo Corbaccio. Eles conseguem a ajuda de seu sitiado criado mudo, Rusty, e descobrem uma horda de butins de guerra que os nazistas têm no hotel.

Em A Revanche quando Artem Kolchin chega aos EUA para lutar pelo campeonato de boxe, ele manda um jovem e agressivo boxeador que o provocou para o coma, que resulta em sua morte. Porém, Artem descobre que ele era ninguém menos que o único filho de Felix Mendez, o poderoso chefão da máfia mexicana. Daí por diante, o ringue passa a ser a última das suas preocupações e ele deverá lutar pela sua vida, testando sua força e coragem para vencer esse desafio.

Biswambhar (Chhabi Biswas), último representante de uma alta casta, vive em um imenso palácio. Não faz nada, vive da fortuna que sua família acumulou ao longo dos anos. O principal símbolo de sua ostentação é uma imponente sala de música, onde ele recebe os melhores artistas da região.

As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole political movement.

A woman and her child are kidnapped by her lover and plans revenge on him.

Cristina is a rich, spoiled princess visiting Rome with her royal parents. The mission of their visit is to marry her off to a super-wealthy corporate type and thereby start to turn around the losses their small kingdom is experiencing in its casino business. These less-than-noble intentions get derailed when Barnaba, a zany bus driver enters their lives and falls madly in love with the gorgeous Cristina. He is nuts enough to succeed in this romantic chase after royalty, as love seems to fuel his determination to rid Cristina of her elitism and to make her see his own irrepressible attractions.

Set in the not so distant future, in Any Town USA, sixteen-years-old Herman Howards makes a fateful decision. He enters his suburban school and kills thirty nine students, two teachers, and a police officer. Just before his arrest, he emails his idol, famous journalist Lax Morales, sending him clips of the shootings captured with Herman's own digital camera. In the clips Herman tells Lax, "I want to tell my story on your show". Lax, haunted by his own past, is now face to face with Herman.