Television Delivers People is a seminal work in the now well-established critique of popular media as an instrument of social control that asserts itself subtly on the populace through “entertainments,” for the benefit of those in power—the corporations that mantain and profit from the status quo. While canned Muzak plays, a scrolling text denounces the corporate masquerade of commercial television to reveal the structure of profit that greases the wheels of the media industry. Television emerges as little more than a insidious sponsor for the corporate engines of the world. By appropriating the medium he is criticizing—using television, in effect, against itself—Serra employs a characteristic strategy of early, counter-corporate video collectives—a strategy that remains integral to video artists committed to a critical dismantling of the media’s political and ideological stranglehold.

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

Ernest Borgnine tours the country in his Luxury coach bus, The Sunbum.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

A Short claymation version of Jurassic fight club's first episode.

A lot of hell and very little heaven heaven among homeless and damaged characters in Stockholm. The young heroin addict couple, the slippery pimp, a mentally ill poet, are some of the personalities we are being served.

A dying marshal deputizes a drifter to deliver the two killers in his custody to prison. However, the new deputy must elude a pair of bounty hunters who want to deliver the prisoners themselves to collect the reward and would think nothing of killing the deputy to get them.

A young high school teacher moves to a new town for a fresh start and falls for a troubled student.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Amid a snowy barnyard, Foghorn Leghorn deflects the carniverous attentions of a lip-smacking weasel.

Lee Bishop is forced to grow up quickly when his mother leaves for Iraq and his younger sister joins him on the varsity wrestling squad.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

Joseph Kuo's final film.

In a bid to escape their domineering wives, two womanizing slackers get saddled with a corpse amongst other challenges in a foreign country.

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.