Set in the not so distant future, in Any Town USA, sixteen-years-old Herman Howards makes a fateful decision. He enters his suburban school and kills thirty nine students, two teachers, and a police officer. Just before his arrest, he emails his idol, famous journalist Lax Morales, sending him clips of the shootings captured with Herman's own digital camera. In the clips Herman tells Lax, "I want to tell my story on your show". Lax, haunted by his own past, is now face to face with Herman.

Once again billed as Montgomery Wood, Giuliano Gemma plays a civil war soldier who returns to his family land to find his family decimated, his property taken over by a family of Mexican bandits and his fiancee about to marry the Mexican gangster behind all this. Bent on revenge, he goes undercover disguised as a Mexican and discovers he has a daughter!

During the holidays of Christmas, three groups of funny characters depart from Italy to spend the Christmas season in New York City.

Nesta continuação de Meus Caros Amigos, os velhos companheiros de escola estão no cemitério visitando o túmulo do falecido amigo Giorgio Perozzi (Philippe Noiret). O falido conde Lello Mascetti (Ugo Tognazzi), o Doutor Sassaroli (Adolfo Celi), o arquiteto Rambaldo Melandri (Gastone Moschin) e o dono do restaurante Necchi (Renzo Montagnani) brincam e recordam as grandes façanhas realizadas pelo divertido grupo de amigos.

Call-center workers receive a phone call from God.

Romeo, a lovelorn Roman musician in his 40s with 20 years since his only hit, consults a fortuneteller who predicts he'll find love and money with a foreign singer named for a flower. In Brussels he meets Marguerite, an older chanteuse who interprets Jacques Brel and loves her yappy dog.

Deadwood, no território de Dakota, é em grande parte terra de homens, onde a Rastreadora de indios Calamity Jane (Doris Day) é tão boa cavaleira, prepotente e traquejada com uma arma como qualquer homem, uma personalidade bastante avassaladora. Mas o tenente do exército que ela está paquerando realmente não gosta dessas suas qualidades, digamos, mais "finas". Uma das bravatas de Jane a leva para Chicago para recrutar uma atriz para o palco da Jarreteira de Ouro. Chegando, a senhora em questão parece, a primeira vista, ser uma rival mais feminina para os amigos homens de Jane. Inclusive para seu inimigo amigável Wild Bill Hickok (Howard Keel).

Biswambhar (Chhabi Biswas), último representante de uma alta casta, vive em um imenso palácio. Não faz nada, vive da fortuna que sua família acumulou ao longo dos anos. O principal símbolo de sua ostentação é uma imponente sala de música, onde ele recebe os melhores artistas da região.

O fusquinha e seu dono participam de uma corrida de Paris a Monte Carlo, onde são perseguidos por bandidos que colocaram seis milhões de dólares em diamantes no tanque de gasolina do carrinho, que se apaixona por uma "carrinha".

Em 2005, quando discursou na Universidade de Stanford, Steve Jobs pediu ajuda para escrever o discurso a Aaron Sorkin, mas acabou por o fazer sozinho, como conta Walter Isaacson na sua biografia do co-fundador da Apple. No início do discurso, Jobs dizia: “Hoje, quero contar-vos três histórias da minha vida. É só isso. Nada de especial. Só três histórias.” Nem por acaso, “Steve Jobs”, o filme de Danny Boyle com argumento de Aaron Sorkin, inspirado no citado livro de Isaacson, com Michael Fassbender no papel principal, é formado por três histórias da vida profissional de Jobs: o lançamento do Macintosh, em 1984; o do esquecido NeXT, em 1988; e o do iMac, em 1998.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Continuação do Zeitgeist, o Filme, onde se trata da globalização, manipulação do homem pelas grandes corporações e instituições financeiras e que apresenta sua visão da solução para o problema.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

Um clássico dos "filmes de fuga" dos anos 70. Eastwood é um policial de Phoenix com a missão de retirar de Las Vegas uma prostituta que testemunhou um crime. Claro que os gângsteres não estão dispostos a permitir isso, e partem no encalço dos dois. Os dois contarão apenas com seus instintos e criatividade para conseguir chegar vivos a Phoenix.

Cristina is a rich, spoiled princess visiting Rome with her royal parents. The mission of their visit is to marry her off to a super-wealthy corporate type and thereby start to turn around the losses their small kingdom is experiencing in its casino business. These less-than-noble intentions get derailed when Barnaba, a zany bus driver enters their lives and falls madly in love with the gorgeous Cristina. He is nuts enough to succeed in this romantic chase after royalty, as love seems to fuel his determination to rid Cristina of her elitism and to make her see his own irrepressible attractions.

One-time gangster Antoine is enjoying retirement on the coast, now managing a boating club. He receives a visit from a former accomplice who asks for a loan. The money will be repaid by a crook who is now in hiding; Antoine intends to recover his money.

Frank Hart is a pig. He takes advantage of the women who work with him in the grossest manner. When his three assistants manage to trap him in his own house, they assume control of his department, and productivity leaps, but just how long can they keep Hart tied up?

After Tanu and Manu's marriage breaks apart, the latter finds himself smitten by Datto, a lookalike of his ex-wife. But the estranged couple's feelings begin to spark again.

Choukri, alias Chouchou, a transvestite Maghrebi with clear eyes, comes illegally to Paris to find his nephew. Hired as an assistant by a psychotherapist, known for his good mood, he also work as a waiter in a transvestite cabaret of Clichy where he meets Stanislas.