The Official Wimbledon Film 2018 delivers an engaging insight into the very best action, on and off the court, at the most famous and revered tennis tournament in the world. Documenting the progress of former champions, challengers and eventual winners as they progress through the fortnight, witnessing the shock results unfold and delving into Wimbledon's unique attributes across the grounds.

Wimbledon 2011 is the definitive story of the 125th Championships. In the Men's Singles, the world number one Rafael Nadal returned to SW19 to defend his title, hot off the success of a sixth French Open victory and determined to prevail ahead of 2011's form player Novak Djokovic. In the Women's Singles defending champion Serena Williams was attempting to win her 14th Grand Slam crown, despite having played sparingly since winning the 2010 title due to injury and illness. Six-time champion Roger Federer, in search of a record equaling 7th triumph, crashed out at the quarter-final stage for the second year in succession, beaten by the twelfth seeded Jo-Wilfried Tsonga of France.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

Enquanto o Overfiend dorme, o louco imperador César sobe ao poder, escravizando uma nova raça de bestas demoníacas. Nesta existência cruel nasce o Senhor do Caos, o inimigo do Overfiend. Enquanto as feras sedentas de sangue capturam a filha do tirano num golpe brutal, o Overfiend deve despertar para uma batalha apocalíptica dos Deuses.

Patients in a psychiatric clinic are placed in a special home in the city, where they have access to the outside world. Another change to their previous situation is the fact that two female patients come to live with them.

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section.

The movie tells about quotation gangs in Kerala. How youth get involved with all antisocial activities like Ganja mafia.

Headstrong textile student Irina tries to overcome her problems by accepting a summer job offer from an isolated and offbeat village of Kyrsyä. As Irina begins to get a grip of herself, the harmless and offbeat hillbillies begin to reveal their true nature.

Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.

Тридцатилетний холостяк-астроном встречает девушку своей мечты, влюбляется в нее, и та отвечает ему взаимностью. Но соединить судьбы влюбленным не так-то просто: дело в том, что наш герой — сын властной мамы, желающей единолично опекать своего отпрыска до старости. Единственное решение проблемы — переключить внимание капризной родительницы на другой объект. Например… на нового мужа! Но найти достойного кандидата в супруги привередливой молодящейся женщине бальзаковского возраста — задачка не из легких. Герой фильма буквально сбивается с ног в поисках приличного жениха. В процессе он знакомится с множеством самых разных людей, преодолевает невероятные препятствия, попадает в курьезные и анекдотические ситуации. В испытаниях характер молодого человека закаляется, а став сильнее, он наконец освобождается от материнского диктата.

On a dark and stormy night, Death pays a visit to a very old lady and her dog.

A non-film, with a non-story. moments to keep, moments to hold, moments.

Drama following the tensions and romantic crises among a group of friends over the course of a single wedding day.

In the yard of an Iranian village school stands in the shade of a tree a large stoneware jar from which all the pupils drink fresh water. On an unfortunate day, the jar starts leaking. The schoolmaster tries hard to get a new one but in vain. The only solution is to have it fixed...

Two millennials get into a relationship where they are allowed to meet only on 'Tuesdays & Fridays'.

A documentary about the making of Alfred Hitchcock's movie Saboteur.